20 November 2005

Defining a Pencil Drawing

When we want to define a pencil drawing, at first it must be done on a simplified way. The rtist's view of the model must be global, avoiding to fall on the trap of focusing on just one part, and also avoiding to draw every gray we see from the live model. A very effective method to simplify this porcess is by closing the eyes ata point when we see all more blurry. This will reduce the lights and shadows and will help us to make the first sketch on the paper, which will help us as the first step to the finished drawing.

Pencil Drawing, Study of Proportions

A very important topic when starting to draw from live models, is the correct measurement of the proportions they have, and also the correct translation of the proportions to the canvas. As you may have experienced, it is not enough to just watch carefully, it is also necessary to measure and compare. A stick and a weight attached to a string are the two of the most common methods when starting to draw. Using a simple stick of any material (30 / 35 cms length). The artist can get the proportions of the model. Grabbing the stick by one of the sides, with the arm stretched parallel to the ground at eye height, and closing one eye we can measure and compare the heights and widths of the model. The string method works the same, but is is special because it assures a perfect vertical line. Examples of using the stick and the string Using the stick and string, first, we compare heights and widths and we relate them to each other. With the stick we can also locate points that coincide on horizontal lines. Finally, using the string we search other elements of the model on vertical lines.
The "framing" or lineal representation is a must in every drawing. Thanks to this process, the artist caries the measures and proportions of the model to the paper. Getting good at locating proportions and adjusting them to the drawing is a task that requires a lot of practice and precision. Aim first at just finding the porportions do not rely so much on the form of the object at this stage.

15 November 2005

Drawing On Creativity: How To Trick Your Brain

Can you draw? Your answer to that question reveals a surprising amount about your brain and the way you integrate your right and left hemispheres. (In this article, the left side will be referred to as the dominant one, which is by far the most likely scenario.) You see, the left side of the brain excels at verbal, analytical, rational and logical tasks. It's the dominant half. It takes over most of the time, using words to describe and define, figuring things out step by step, drawing conclusions based on facts and logic, and thinking in a linear way. The left side of the brain jumps right in with words and symbols, and is such a bully that it takes on even those tasks it isn't likely to perform well. Now, the right side of the brain is completely different. It relies on nonverbal cues to process perceptions. It's good at tasks requiring the ability to see similarities, to understand how parts fit together as a whole, to make leaps of insight(those a-ha moments), and to perceive overall patterns at once. It tends to hang back a little, letting the left side take over most duties. It's sort of like siblings. You've got a confident, verbal first child and a quiet, introspective, thoughtful second child. Who do you think wins the argument for that last dessert? Who chooses which television show to watch? Who dominates the conversation about where to go on a family vacation? The second child might have a valuable perspective, but the older one is so assertive that he tends to win most arguments and rule the roost. If your answer to the drawing question is "No, I'm pathetic," it's likely your left brain is being a bit of a thug. Whenever you pick up a pencil and start to sketch, it's taking over with its tendency to verbalize images and analyze shapes. Meanwhile, the right side--the perceptual, spatial part of your brain--is over in the corner, raising its hand, trying to get attention. "Oh, pick me!" it says. Too bad that the left side is already busy drawing lines and forming a strategy. What if you could outsmart the bully on the left? What if you could somehow give that right side of your brain its chance to shine? According to Dr. Betty Edwards, a respected art educator and author of the best-selling book, Drawing On The Right Side Of The Brain, you can actually make a mental shift from what she refers to as the "L-mode"--the verbal, dominant form of thinking--to the "R-mode," which relies on visual cues. It's possible to get the right side to kick in and take over the task of drawing. How? Well, we need to get tricky. The left side takes over tasks UNLESS it finds a particular job undesirable. If a certain task takes too much time, is too detailed or slow or simply too difficult, then the left side gives up. So, the trick is presenting the task--in this case, drawing--in such a way that the right side is allowed to jump in. This happens a lot with words. When we try to describe something verbally and find it too difficult, what do we do? We rely on gestures. Just try to describe a spiral staircase without using your hands. Dr. Edwards teaches people to draw by presenting them with images that are upside down. This puts the left brain in a state of confusion so that it can't easily decipher shapes, assign a top and bottom, attach labels and categorize them to match stored memories. The key to integrating your right side lies in looking for opportunities to allow it to become dominant. When presented with a confusing image, your left side gives up. We should literally turn things upside down in an effort to thwart the left brain's control and let the R-mode take over. This same idea works in creative problem solving. Sometimes the best way to deal with a challenging issue is to sleep on it. When the left brain is exhausted, the intuitive, subjective, holistic right side has a chance to sneak in and come up with a solution that seems to have come "from nowhere". See? We don't even give our right brains credit for creative insights! It's exciting to think that there are ways to outsmart our brains. By intentionally putting ourselves in a state of mental conflict, we can enhance our creativity. Look for ways to plunge yourself into that discomfort zone. Whether we're tackling a picture or a problem, the key to jumpstarting our right brain lies in shifting our perspective. Grab a pencil, turn the picture upside down, and start drawing! Somewhere inside you, that frustrated artist will be grinning from ear to ear.

10 November 2005

Book Review - Pencil Drawing Techniques

"Pencil Drawing Techniques" Flipping through this book, my jaw dropped in amazement at the examples in this book. Near the end, the illustrations of zoo animals (tigers, horses, etc) were so life-like! The artist really know how to shade. I instantly brought the book.

Let me tell you, this Pencil Drawing Techniques book is very complex and loaded with information. There are lots of text for an art book. First, the book goes over the basics of shapes and different shades of pencil lead (from hard 6H to very soft 8B, the "#2 pencil" is near the middle). Then we go over shading. The book is primarily focusing on different shading and strokes techniques in order to get that "life-like" realism in your drawing. In my personal experience, trying to obtain that level takes many hours and many practice. If you are the type who gives up easily, then Pencil Drawing Techniques isn't for you. Nobody said drawing is easy. Or, if you are only interested in drawing nice line-arts (and letting a computer do the rest), then this book is NOT for you as well. However, if you want to draw to the highest realism with just a pencil, then this book is worth considering.

I should also mention that a small chapter of Pencil Drawing Techniques is devoted to color pencils (whereas the rest, or 90% of the book, is on graphite pencil). Buy Book At Pencil Drawing Techniques

07 November 2005

Still Life Pencil Drawing

What is a Still Life? Still Life is an art term, that refers to a special kind of picture. It represents an arrange of inanimate objects (hence the name) such as a bowl, a cup or fruits. Usually the arrangement is made according to the artist's purpose. A Still life pencil drawing can be symbolic, with an underlying meaning, or aesthetic, in which case the purpose is to communicate beauty. About Still Life Pencil Drawings A still life work can have many purposes. If we work in color it can help us understand how color acts in real life, how the light bounces, and how an arrangement of colors can bring a special mood to the painting. Using colored pencils we can begin studies about color, and work in the finest details. But in the case of black and white pencil drawings, the purpose of the still life pencil drawing is different. A still life pencil drawing can help us study shapes and see how they interact on our eyes, we learn how to measure correct proportions and how they can make the difference betwen a good drawing and a remarkable drawing. When we get into shading, we then study tonal values. There are no colors here so we must learn how to see things in black and white mode, and correctly define which are going to be the dark and light areas on our still life pencil drawing. Still lifes are the most available subjects in the world, and while some people may consider still life drawing boring, te fact is they teach us a lot. When you have no idea of what to draw, just make an arrangement of things you have at your house and start your still life pencil drawing. Don't take just as bring cups and fruits, but instead focus on what you can learn from this. BTW, you can click on the pics to see them bigger.

03 November 2005

Pencil Drawing Techniques – Smooth Shading

A Pencil Drawing technique that is very hard to master and at the same time can bring a photo realistic finish, is the smooth shading technique. This pencil drawing technique consists of shading gradually the drawing with the pencil tilted, to give it a 3D look. This can be done only using the pencil or with the aid of a tool to diffuse the tones.

This pencil drawing technique requires patience, and concentration. You have to really have control over the pressure of the pencil, and at the same time choose the right pencil hardness to achieve the desired results. You also have to keep your work clean, because sometimes this type of shading can go wrong, and your work ends up looking bad.

I’ve found some resources on the web that you can check if you want to know more about this technique. I will be posting technique tutorials here too, once I have all the things I’m gathering. Check back once in a while, to see if they’re online.

Resources:

Learn Pencil Shading

Pencil Shading Exercises

Related Pencil Drawing Technique posts: Cross Hatching, Learning How to Draw with the Grid Method, 5 point perspectivemore